— A Little Insight
Music that gives a scene its spine.
A music supervisor is the person in charge of everything related to music on a film, TV show, ad, video game, or other visual media project. Their job includes securing the rights to use songs, negotiating licensing deals, managing the music budget, and handling all the related paperwork and copyright issues. Beyond these behind-the-scenes tasks, they also work closely with the production team — including directors, producers, editors, and composers — to make sure the music fits and supports the project's creative vision.
— The Way In
Good music is instinct.
Great supervision is instinct with a plan.
The best work happens when creative ambition and practical fluency sit at the same table. I keep both there from the first conversation to final delivery.
Start with the story - A clear read on the world, the audience, and the feeling the scene needs to leave behind.
Open the right doors - Deep digging, thoughtful pitching, and relationships across artists, labels, publishers, and composers.
Make it official - Transparent budgets, clean paperwork, and a clearance process that protects the work and the people behind it.
Stay close to the cut - Music is part of the edit. I stay involved through the final mix in post.
Curious Ears. Clear Head. Full Heart.
— A Bit of Me
I’m a music supervisor who believes the right song can make a good idea feel inevitable.
My practice lives between the emotional and the exacting: finding the record that opens up a story, then doing the careful work that lets it stay there. I'm an emerging freelance music supervisor trained by Emmy-nominated music sup Brienne Rose (Emily in Paris, Russian Doll, Minx), bringing an open ear, a resourceful process, and a healthy respect for the deadline to help creatives bring their vision to life.
— Have a scene in mind?